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WHERE THE END STARTS

KAWS

OCTOBER 20, 2016-JANUARY 22, 2017

MODERN ART MUSEUM OF FORT WORTH

KAWS COMPANION (PASSING THROUGH), 2010. Fiberglass, metal structure and paint, 208 1/2 x 169 1/4 x 185 inches. Installation view at the Modern Art Museum of Fort Worth

KAWS COMPANION (PASSING THROUGH), 2010. Fiberglass, metal structure and paint, 208 1/2 x 169 1/4 x 185 inches. Installation view at the Modern Art Museum of Fort Worth

The Modern Art Museum of Fort Worth hosts a major survey exhibition of the work of Brooklyn-based artist KAWS (American, born 1974) on view in Fort Worth, Texas, October 20, 2016 through January 22, 2017, that moves to the Yuz Museum in Shanghai, China, March through August 2017. Organized by Modern Art Museum of Fort Worth curator Andrea Karnes in close collaboration with the artist, this presentation features key paintings, sculptures, drawings, toys, and street art interventions to examine KAWS’s prolific career in depth, revealing critical aspects of his formal, conceptual, and collaborative developments over the last twenty years.

Spanning the worlds of graffiti, pop art, and consumer culture, KAWS’s bodies of work are highly charged, each conveying his underlying wit, irreverence, and affection for our times, as well as his agility as an artist. He has primarily looked to and appropriated from pop-culture animations including The Smurfs, The Simpsons, SpongeBob, Hanna-Barbera, and Peanuts to form his artistic vocabulary for his paintings, drawings, and sculptures. Now well known for his larger-than-life sculptures and hard-edge paintings that emphasize line and color, KAWS’s cast of hybrid cartoon/human characters, with similarities to popular cartoon figures and logos like Mickey Mouse and the Michelin Man, are perhaps the strongest examples of his exploration of humanity. These figures have amicable names—Chum, Companion, Accomplice—and express and provoke an array of human emotions from sad, overwhelmed, pathetic, and weary, to shy. They reflect feelings and situations we can empathize with in presentations that are balanced with humor, heartening in their cartoon aesthetic.

KAWS UNTITLED, 2001. Acrylic on photograph. Framed: 16 × 12 in. (40.64 × 30.48 cm). Collection of the Artist

KAWS UNTITLED, 2001. Acrylic on photograph.
Framed: 16 × 12 in. (40.64 × 30.48 cm). Collection of the Artist

KAWS PASS THE BLAME, 2013. Acrylic on canvas. Unframed: 120 × 196 × 1 3/4 in. (304.8 × 497.84 × 4.45 cm). Private Collection, New York

KAWS PASS THE BLAME, 2013. Acrylic on canvas. Unframed: 120 × 196 × 1 3/4 in. (304.8 × 497.84 × 4.45 cm). Private Collection, New York

KAWS MAN’S BEST FRIEND, 2014. Acrylic on paper. Overall: 120 x 200 in. (304.8 x 508 cm). Sheet (each): 20 x 16 in. (50.8 x 40.64 cm). Framed (each): 22 3/8 x 18 3/8 x 1 1/4 in. (56.83 x 46.67 x 3.18 cm). Collection of the Artist

KAWS MAN’S BEST FRIEND, 2014. Acrylic on paper. Overall: 120 x 200 in. (304.8 x 508 cm). Sheet (each): 20 x 16 in. (50.8 x 40.64 cm). Framed (each): 22 3/8 x 18 3/8 x 1 1/4 in. (56.83 x 46.67 x 3.18 cm). Collection of the Artist

KAWS ALONG THE WAY, 2013. Wood. Overall: 96 7/8 × 75 × 51 1/4 in. (246 × 190.5 × 130.18 cm). Collection of the Artist

KAWS ALONG THE WAY, 2013. Wood. Overall: 96 7/8 × 75 × 51 1/4 in. (246 × 190.5 × 130.18 cm). Collection of the Artist

Major support for KAWS: WHERE THE END STARTS is generously provided by the Texas Commission on the Arts, with additional support provided by the Kleinheinz Family Endowment for the Arts and Education and from the Fort Worth Promotion and Development Fund.

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